eternal vision
total surveillance
natures inevitable redemption
I’ve never worked on a single piece for as long as I did on this one. When I started it in 2022 I had a crystal clear vision in my mind as to what I was making and how the final piece would look. Much to my surprise the more I worked, the more specific and articulate I got with materials the further I got from seeing the final piece come together. Each new detail set higher expectations for the next. The piece was certainly growing and evolving based on what it needed to become through my intuitions. However, once I started on the foliage, it was immediately evident to me that the end was near. My vision of a landscape that was truly overgrown and reclaimed by nature was finally coming together.
This piece depicts a moment in the Eternal Vision story in the far future. It speaks to the idea that all technology eventually becomes obsolete. The notion that nature will eventually prevail and reclaim all it once had. That decay and decomposition will always be beautiful. Nothing is free from the feedback loop of destruction and regrowth, not even technology.
Check back soon for a full gallery of images of the piece and a more elaborate explanation.
eternal vision drone 1002
Somewhere in a distant future, an omnipresent deterrence system reaches beyond the horizon. What was once sold on the utopian ideal of endless peace and security through total surveillance evolved into a system of total control. The presence of continuous observation forced whoever was left deep into hiding sometime long ago. Echoes of the present begin to emerge from the fragments.
eternal vision
studio update
Here are a couple of things I’m currently working on in the studio. Both represent some long term ideas coming together with many different mediums with the end goal of telling more stories about an envisioned dystopian future. I’ve been wanting to make a container for one of the Eternal Vision drone minis for some time. This first version came together well and has inspired some upgrades to the next version… I’ve also started a short book with text and images that showcases The Last Operator diorama. Below is an image from the book.
Endless Ocean Drone Container, laser cut plywood box with magnet closure for 3d printed figure.
The Last Operator
The landscape is a natural barren wasteland. A near monochromatic world where everything is covered with a fine red dust. Not very different from the countless depictions of the planet Mars in science fiction stories. But this is not the red planet, this is Earth, in a not so distant future. Anything green in this place has long since dried out to dust and blown away. Here we find the last of the human advisors to the eternal vision drones, looking out over an all too familiar landscape. Just ahead is an old communications relay post. The operator sends the drone out ahead to get an advanced look at the area. Machine Vision reveals all, transmitted directly to the operator's AR (augmented reality) goggles from an encrypted link to the drone. Human vision, augmented by the electro-optical sensors of the drone in real time. Day or night, the night vision and thermal imaging of this system are extremely accurate.
These posts were once a symbol of the total surveillance state that prevailed during the end times. As part of a global deterrence system, these stations monitored all of the communications in the surrounding area. Now they are simple time capsules, waiting to be found. Most of the time they have been completely picked over by scavengers long ago. But this post somehow looks untouched. Is it possible that any of these systems still work? What will be gleaned from the remnants of civilization lost?
it slowly started with flooding
The storms got more intense. Eventually the oceans everywhere began to rise.
killer drones are here to stay
Drone swarms are real and it is only a matter of time before we see them in action. This is something that has been in the works for a long time and is only now becoming more of a public conversation. The “collective mind” has been a theme of science fiction for even longer. If you are interested in learning more, check out these two written pieces about this reality.
New York Times piece on killer drones from 2023 HERE
Bulletin of The Atomic Scientists article from 2021 HERE
aquatic observation
I’ve imagined the drone 1001a as the aquatic version of the original all seeing model 1001. This drone hovers quietly over the ocean or just on the very edge of the shore. It exists in the time of the endless ocean. Long after our technological demise, the inevitable consequences of climate changes come to light. There is nothing. A hopeless horizon extends in every direction. What fragments of land remain are scattered far apart with only empty waters between them. The detritus we leave behind will always remain. Now it is mostly seen as sun bleached plastics that float on the surface or wash up like an artificial red tide. This drone constantly patrols the water, searching for anything that breaks the pattern of emptiness. How far does the ocean reach? Is there anything at all beyond the horizon?
Right now this specific work is moving in two distinctly different directions. The physical 3D printed versions of the drone are being used to tell this part of the story through hyperreal miniature landscape dioramas/scenes. The 3D model has been painted, textured and animated, so it can appear digitally in augmented reality. Each direction has its own unique set of concerns and potentials. Together they will help tell a more articulate story that has the potential to spill out into the world around us.
Halftone: an exhibition of prints by MECA&D alumni
Halftone: an exhibition of prints by MECA&D alumni
August 4-September 9, 2023
49 Oak St, Portland, ME 04101
Maine College of Art & Design recognizes that printmaking is a vehicle for vernacular culture, social dissent, and cultural identity. In an age of instant reproduction and shifting definitions of authenticity, the act of printmaking remains a true format for elastic experimentation. The artists included in this exhibition, through an open call, collectively inhabit this commitment to exploration and the work is a reflection of the various formats for which printmaking can translate ideas. Halftone will be open from July 28th- September 9, 2023, with an opening reception on August 4 from 5-8pm.
global deterrence system
An omnipresent deterrence system stretches beyond the horizon. What was once sold on utopian ideals of perfect peace and safety has evolved into a system of total surveillance and total control. The presence of continuous observation forced whoever was left deep into hiding sometime long ago.