sculpture

studio update

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Here are a couple of things I’m currently working on in the studio. Both represent some long term ideas coming together with many different mediums with the end goal of telling more stories about an envisioned dystopian future. I’ve been wanting to make a container for one of the Eternal Vision drone minis for some time. This first version came together well and has inspired some upgrades to the next version… I’ve also started a short book with text and images that showcases The Last Operator diorama. Below is an image from the book.

Endless Ocean Drone Container, laser cut plywood box with magnet closure for 3d printed figure.

 

The Last Operator, mixed media with 3D printing, 9 x 6 x 7 inches, 2024

Photographed with printed backdrop

The Last Operator

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The landscape is a natural barren wasteland. A near monochromatic world where everything is covered with a fine red dust. Not very different from the countless depictions of the planet Mars in science fiction stories. But this is not the red planet, this is Earth, in a not so distant future. Anything green in this place has long since dried out to dust and blown away. Here we find the last of the human advisors to the eternal vision drones, looking out over an all too familiar landscape. Just ahead is an old communications relay post. The operator sends the drone out ahead to get an advanced look at the area. Machine Vision reveals all, transmitted directly to the operator's AR (augmented reality) goggles from an encrypted link to the drone. Human vision, augmented by the electro-optical sensors of the drone in real time. Day or night, the night vision and thermal imaging of this system are extremely accurate.

These posts were once a symbol of the total surveillance state that prevailed during the end times. As part of a global deterrence system, these stations monitored all of the communications in the surrounding area. Now they are simple time capsules, waiting to be found. Most of the time they have been completely picked over by scavengers long ago. But this post somehow looks untouched. Is it possible that any of these systems still work? What will be gleaned from the remnants of civilization lost?

The Last Operator, mixed media with 3D printing, 9 x 6 x 7 inches, 2024

history repeats itself

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Actual history, an alternative history or even a completely invented timeline, they will all eventually repeat themselves. I find that as time passes there are patterns in what make. Specific ideas that are reoccurring, each time becoming more articulate as I learn new ways to recreate them. I am not just doing the same things over and over again. Both of these images are about similar repeating ideas, but are so very different in how they appear. They both evoke thoughts of searching, a form of future surveillance within a disorienting landscape. One presents an atmosphere so thick that it could be concealing any possible danger. The other creates a similar sense of unease within the landscape, however this time it is vastness that creates the sense of awe or unease. Both are simulated worlds seen through a screen. The first of the two image is of one of the original miniature drones. It was made of kit-bashing model parts and photographed in a glass tank with “practical effects”. The second image is a more recent version of a drone, 3D modeled with the dual intention to 3D print them for miniatures and to use them in digital animations. I think it is import to take note of these kinds of reoccurring ideas that we attempt to resolve or explain over and over again in the studio. Keep searching.

Inquest Model 006, Digital Photograph 2007

Endless Ocean Drone 1001a, 3D Rendering 2023

progress in the studio

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Self-directed research and learning is not always as fruitful as I anticipate. So far with this project things are far exceeding my expectations. With the amount of information, examples and tutorials online, I am happily finding the answers I need to feel like I can experiment freely. I still do not know exactly where this work will lead, but the possibilities become more clear each day. I hope to include sound and movement in this work as well. I believe that will allow me to create the kind of immersive experiences I am hoping to create. As this work in the studio progresses, the stories from these places also become more clear to me. I am looking forward to using these tools to share some of the moments I’ve imagined and to answer some basic questions. What has happened in these places since our time? How could surveillance, ai and autonomous drones reshape the landscapes of the future? What can be learned from the romanticisation of these ideas?

drone 1001a 3d rendering 2023

The Future Is The Past

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I have for a long time considered autonomous drones to be the future of surveillance and warfare. I wrote about this initially in 2006 in my graduate school thesis. I then only knew a fraction of what I know now to be true about the premonitions I had. As the war in Ukraine rages on for a second year, my ideas continue to be reaffirmed. Russia and Ukraine are caught in the feedback loop of a weapons race. The deployment and development of drones on the battlefield has now clearly fundamentally changed the entire battlefield. FPV drones that cost a fraction of the equipment they are used to destroy are a great example of this. Both sides are using these drones simultaneously for offensive and defensive applications. The operators of these drones are human, however the ambition to have swarms of autonomous drones on the battlefield before 2025 is real. UPDATE: The day after this post the Pentagon announced it’s “replicator program”… The goal is to produce thousands of inexpensive autonomous drones and have them in use within two years. Here is a link to a POLITICO article with more info. I’m sure more will come of this in the media.

New ideas take hold as the old ones try to hang on...

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As each new piece is finished it is hard to not ask myself what is next. For me it’s a natural tendency to want to start or resolve something new. One of the things I do to counter that is to look closely at what I have made for potentially previously unseen variations or experiments within the parameters of the process. Currently I’m continuing the Machine Drawings series, while starting to experiment with some new ideas. The focus of the current drawings is to amplify and expand on some of the nuances or unique qualities of the previous drawings from the series. I’m specifically working with a more narrow color palette to a few quieter landscapes that have more atmosphere. Simultaneously I’m experimenting with translating the drawings into dimensional objects. I’ve started by using the laser cutter to cut out and etch lines into the layers of the drawings. I will be using colored acrylic plastics with varying densities or etched lines on them. It is critical that these pieces take on not just the photographic qualities of the drawings, but also some of the interactions between line and shape. I’m not exactly sure where this will lead or what the final piece(s) will be. Possibly some kind of shadow box, infinity space or illuminated diorama…

Studio sketches

Studio sketches